Dion Dion

Artist Statement

When working with paint, my favorite initial technique is the creation of an interesting ‘base’ surface.

I utilize this base to build on - no matter what eventual objective or non-objective content that may or

may not become part of the process. Then, I begin the piece with an open-ended attitude. Instead of

starting with a specific drawing, I prefer to draw with the paint itself - incorporating numerous methods

of application. As I pour, push, scrape, spray and make bold strokes with acrylics that dry fast – I look to

see what is evolving on the canvas. Then, I’ll come back to accentuate the surfaces with oils and build up

areas that begin moving to the forefront. I like to create several areas of intense activity that move the

viewer’s eyes around the canvas as they discover something new.

Other times, I challenge myself to a re-interpretation of a surface of an artwork I previously created in

handmade paper or clay. I’m curious to see how I can work through the previous image by now using

paint and other added-on materials.

I know a piece is down when I stand back and view it from a distance. Sometimes, I take a picture to be

able to view it another way. If it is working, I stop. If there are areas not working or need to be beefed

up, then I’ll make changes. Then, I begin the review process again. I’m looking at the movement, the

highlights and lowlights, connections of one section to another, the little details, and the big overall view.

When my work is going well, I am filled with a sense of joy – and I’m ready to begin all over again.

When people see my work, I love to see them engage with the painting - looking over the entire surface

finding things that intrigue them or remind them of something – even if it was never my intention.